John Thorne, Craig Miller, and David Lavery. “Invitation to Love: The Influence of the Soap Opera on Twin Peaks.” Twin Peaks in the Rearview Mirror: Appraisals and Reappraisals of the Show That Was Supposed to Change TV. (Reprinted in Thorne, et al., Twin Peaks in the Rearview Mirror.)Ĭharney, Mark J. “Agent Cooper’s Errand in the Wilderness: Twin Peaks and American Mythology.” Literature/Film Quarterly 21.4 (1993): 287–94. “Twin Peaks and the Circular Ruins of Fiction: Figuring (Out) the Acts of Reading.” Literature/Film Quarterly 21.4 (1993): 240–47.Ĭarroll, Michael. “What about Bob? Doubles and Demons in Twin Peaks.” Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts. Berkeley, CA: Soft Skull Press, 2010.īuffington, Nancy. “Case Study: Twin Peaks.” The Cult TV Book: From Star Trek to Dexter : New Approaches to TV Outside the Box.
(Reprinted in Thorne, et al., Twin Peaks in the Rearview Mirror.)īooy, Miles. “Telling Inside from Outside: Or, Who Really Killed Laura Palmer.” Literature/Film Quarterly 21.4 (1993): 277–86. Durham, NC: Duke University Press, 2010.īirns, Nicholas. Vibrant Matter: A Political Ecology of Things. Princeton, NJ: Princeton University Press, 2001. The Enchantment of Modern Life: Attachments, Crossings, and Ethics. “Happy Endings: The Story of Twin Peaks.” Journal of Literary Studies/Tydskrif vir Literatuurwetenskap 15.1–2 (1999): 94–107.īennett, Jane. “Twin Peaks, Weak Language and the Resurrection of Affect.” The Cinema of David Lynch. “A special TWIN PEAKS announcement.” October 6, 2014.
Twin Peaks Behind-the-Scenes: An Unofficial Guide to Twin Peaks. This process is experimental and the keywords may be updated as the learning algorithm improves.Īltman, Mark. These keywords were added by machine and not by the authors. Anderson) informs Cooper that “Some of your friends are here” and then Laura Palmer (Sheryl Lee)-or, perhaps, her doppelganger-having greeted Cooper, tells him “I’ll see you again in 25 years.” Keywords Speaking strangely (the result of backward speech itself then played backward), The Man From Another Place (Michael J. In the final episode of the original run of Mark Frost and David Lynch’s ground-breaking TV drama, Twin Peaks (“Beyond Life and Death,” airdate June 10, 1991), FBI Special Agent Dale Cooper (Kyle McLachlan) ventures intrepidly and bodily into the “waiting room” between worlds, the confusing red-draped space with zigzagged floor that he had visited in his dream in the famous second episode (“Zen, or the Skill to Catch a Killer,” April 19, 1990).
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